Kathleen O'Neal Gear & W Michael Gear

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Theodore Roosevelt called it ‘nature fakery.’



Lange at Red Canyon Ranch

Lange at Red Canyon Ranch

We’ve been writing bestselling novels about the past for almost thirty years and are often asked how we create a doorway that allows a reader to follow our characters into the glacial world of a novel set 10,000 or 20,000 years ago? Honestly, it’s all about research. But not necessarily “book” research.


First of all, we are both professional archaeologists, so we actually excavate sites that date to the Pleistocene Ice Age. But writing well about peoples that lived thousands of years ago is less about people than it is about their environment. After all, human beings are pretty much human beings. We all feel love and despair, and strive to feed and protect our families. That has been true for at least 200,000 years, since the dawn of modern humans, but those same emotions probably existed long, long before that among our archaic human ancestors. The key to writing well about the past, for us, is to understand their world. What were the animals, the plants, the threats they faced? How did they survive in what, by modern standards, was a very hostile world?

The writer has to able to LIVE in that ancient world. If a writer isn’t actually walking through that world in his or her mind, a reader will feel what President Theodore Roosevelt once called “nature fakery.” He accused Jack London of this after reading Call of the Wild, by the way, which was certainly an unjust accusation, at least so far as we are concerned.

How do we avoid ‘nature fakery?’ For us, it begins with the archaeology. We set the scene with scientific facts. We analyze the ancient pollens and tiny silicate skeletons of plant cells (phytoliths) that we find in sites to know what was growing there at the time. Then we fill the scene with the animals that roamed that countryside: Bison priscus, mammoths, dire wolves, American lions, and short-faced bears, among others. Geology is critical. What did the glaciers look like? If you were paddling down the coast of British Columbia, heading for Washington, 20,000 years ago, how tall were the ice mountains? How far did the ice extend into the ocean?


Once we’ve set the scene, then we have to get serious and try to start seeing through the eyes of the characters. For example, one of the most important daily activities of prehistoric peoples was finding food. How do we make a prehistoric hunt feel real? Ah, now the story becomes a lot more than book-learning. What inspires a writer to write convincingly depends entirely upon the the writer. In our case, it goes to the heart of our own lives.

Just last week, for example, we were working on a archaeological site in Wyoming that dates to around 13,000 years ago, when we came across a Clovis point resting in the midst of ancient bison bones. The Clovis people were brilliant big game hunters. When we pull the beautiful red spear point from the ribs of the bison, magic happens. As we turn the point in our hands, we are suddenly transported back to the hunt. In our minds, we see where the rest of the clan must have been positioned, hiding behind rocks and below the crests of hills, ready to cast their spears. For a few moments, we imagine how the bison herd slowly grazed down the valley into the trap. And we know the bison would not have done so if the wind had been wrong. They would have smelled the hunters and bolted for the high country. So the hunters made sure the wind was blowing in their faces as the bison came down the trail. Bison are extremely intelligent and cautious wild animals, with excellent vision. If the animals had sensed anything was wrong, seen a curious shape in the brush, or the slightest movement, the clan would have gone hungry that night. How do we know that? We live with bison and watch them as much as they watch us (on Twitter use hashtags: #RedCanyonRanch and #CleopatraTheBison to see videos and photos of our daily lives). The smallest nuances of behavior, the way their eyes bulge when they suddenly spot something incongruous in the landscape, become part of our storytelling. We can tell you that the decision-makers in the herd are the lead cows. If the herd bolts, it will be because those smart old cows sensed something was amiss. Prehistoric peoples, of course, knew this, too. They would have been watching the lead cows closely. Even if the herd was not in optimal position, if one old cow had lifted her nose, scented the wind, and taken a step backward, the clan would have probably sprung their trap, knowing they had to cast immediately, because seconds later the herd was going to be gone.

Avoiding ‘nature fakery,’ then, is all about knowledge and experience–just as it was for Jack London. Could London have written Call of the Wild if he had not been in Alaska? Probably, if he’d done his research. After all, Ben Bova and Ray Bradbury didn’t have to go to Mars to write beautifully about it. But we can pretty much guarantee you that if they had gone to Mars you would feel it in your bones when you read their stories. An author’s life experiences provide a sensual texture to their stories that allow readers to use their written words as stepping stones for self-transcendence. In our stories, those stepping stones lead readers through the doorway and into the misty iced past where they can clearly hear dire wolves howling in the distance as the bison herd thunders down the hill in front of them.

What do you think about ‘nature fakery?’ Let us know.


W. Michael Gear and Kathleen O’Neal Gear

SUN BORN just came out!

people-of-the-songtrail-mass sun-born

Hi All,

We are happy to announce that SUN BORN, the second book in the PEOPLE OF THE MORNING STAR trilogy, just hit the shelves. We really love the new cover concept that our great publisher has used for SUN BORN, and the paperback of recently released, PEOPLE OF THE SONGTRAIL. Both designs use real prehistoric artwork, which just delights us!  

Winter is settling over Wyoming as we write.  We rose to 36 degrees this morning, with a light dusting of snow on the ground.  It’s always so beautiful to look out across the meadow and see the buffalo frosted white, their warm breaths rising like clouds into the air above them.  Winter is a quiet, serene time in northern Wyoming.  The songbirds are gone, leaving mostly hawks, chickadees, and dark-eyed juncos to fill the trees during the day.  At night, owls call from the red cliffs, their voices mixing with those of coyotes and the occasional howl of wolves.  

We hope you are all having a lingering and colorful autumn.

Best Regards,


Mike and Kathy


Autumn has arrived…

2016-08-27 14.37.33  

Autumn in northern Wyoming is so peaceful. It’s a beautiful cool morning here, 46 degrees. Our chestnuts and aspens started to turn color a few days ago and are now shading red and gold. The buffalo love this time of year, as well. The biting flies begin to disappear, and the calves are big enough–300-400 pounds now–that they can pretty much take care of themselves against the mountain lions, wolves, and occasional bear that comes through.  We love this time of year.

Thanks to everyone who wrote to say how much they like the new PEOPLE OF THE SONGTRAIL cover and style.  We agree.  We’re really delighted with the new look.   And it was so much fun to write about early Vikings in North America.

SUN BORN, The second book in the PEOPLE OF THE MORNING STAR series, is due to be released in about a month.  We really hope you enjoy it.  Cahokia at it’s peak was truly an amazing city. 

We wish you all a happy and serene Autumn.

Mike and Kathy



Just a reminder that ISIS is not alone in the destruction of ancient sites…

Dorset petroglyphs

This is an old story, but worth remembering as we watch ancient archaeological sites being destroyed outside of North America.  It happens here, too.  Sadly, a few years ago several Navajo destroyed ancient rock art images of Hopi katchinas.  Religious extremism is found in every culture around the world.


Also,  what it looked like before…  


Vikings and magical swords…

Viking ship

The literary motif of Vikings and magical swords goes back over one thousand years, but it was J.R.R. Tolkien who made it part of the identity of modern peoples.   This is a great article… 



Viking ship 

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